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The Nature of Hypertext
The Nature of Hypertext
Hypertext means more than just text with a bunch of links in it Hypertext is something of a neglected subject these days. Everyone is talking about the Web, but nobody is talking about the class of…
Top-down emphasizes the collection rather than the item, allowing items into the collection only by blessing from on high, rather than by their own action. It thus inhibits individual contributions and funnels decision making through a single point, often introducing delay and compromising immediacy. Top down favors the static over the dynamic, wanting each piece to be fixed in its assigned place in the hierarchy. It inhibits spontaneous addition, editing, and deletion, for fear of compromising the structure of the top-down edifice.
·everypageispageone.com·
The Nature of Hypertext
Four Internets: The Geopolitics of Digital Governance
Four Internets: The Geopolitics of Digital Governance
The internet — a fragile construction of hardware, software, standards and databases — is run by an ever-expanding range of private and public actors constrained only by voluntary protocols and subject to political pressure. The authors describe four emerging views of how to govern the internet, each playing a geopolitical role and championed at the national level: Silicon Valley’s open internet, Brussels’ bourgeois internet, Beijing’s authoritarian internet and DC’s commercial internet. The competition to establish which internet prevails is likely to be strong, and not always focused on win-wins.
·cigionline.org·
Four Internets: The Geopolitics of Digital Governance
A History of Link Blogs – Angry Robot
A History of Link Blogs – Angry Robot
A blog.
John Gruber’s Daring Fireball debuted in 2002. The “linked list”, his version of the linklog, did not appear until 2004. It was a separate page and an RSS feed intended as a perk for his paid subscribers. At some point in 2005, it shifted to the main column of the site along with the regular posts.
·angryrobot.ca·
A History of Link Blogs – Angry Robot
Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art
Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art
By analysing a series of exhibition projects responding to central changes in web technology since its public unveiling (1991), this study identifies a historical trajectory for discussing the evolution of curating on the web. Such evolution highlights how curators have devised exhibition models that operate as platforms for not only displaying art specific to the web, but also for producing and disseminating it in a way that responds to the developments of web technology—and its socio-cultural and economic impact. With the massification of web tools, in fact, these platforms have generated distributed systems of artistic production free from the physical and conceptual limitations of the gallery and museum space. They have not only become spaces for displaying art, but also platforms that nurture its production, different modes of audience engagement and critique the canons of the institutionalised art world. Originating from the desire to reduce the historical fragmentation of this field of work and its partial mapping, this study follows a periodisation that starts from the early internet, with its BBS-enabled platforms such as ARTEX (1980), to introduce the 1990s experimentations with the web browser and the developments of projects like äda’web (1995). It then dives into the Web 2.0 when, with the platformisation of the technology, curators developed an array of approaches for adopting existing web services, as in the instances of CuratingYouTube (2007–present) and #exstrange (2017). Lastly, it outlines the trends of today’s web, which saw the birth of projects like the blockchain-enabled cointemporary (2014), to then draw conclusions about the relevance of this historical trajectory in the field of curatorial studies and the production of web-based and digital art.
·mdpi.com·
Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art
What is the 1% rule?
What is the 1% rule?
It's an emerging rule of thumb that suggests that if you get a group of 100 people online then one will create content, 10 will "interact" with it (commenting or offering improvements) and the other 89 will just view it.
·theguardian.com·
What is the 1% rule?
We Should Replace Facebook With Personal Websites
We Should Replace Facebook With Personal Websites
Personal websites and email can replace most of what people like about Facebook—namely the urge to post about their lives online.
There’s a subtext of the #deleteFacebook movement that has nothing to do with the company’s mishandling of personal data. It’s the idea that people who use Facebook are stupid, or shouldn’t have ever shared so much of their lives. But for people who came of age in the early 2000s, sharing our lives online is second nature, and largely came without consequences. There was no indication that something we’d been conditioned to do would be quickly weaponized against us.
·vice.com·
We Should Replace Facebook With Personal Websites
The End of the World
The End of the World
Ruling out the icecaps melting, a meteor becoming crashed into us, the ozone layer leaving, and the Sun exploding, we're definitely going to blow ourselves up. H'okay. So basically we've got China, France, India, Israel, Pakistan, Russia, The UK, and us, with nukes. We've got about 2600 more than anybody else. Whatever. H'anyway.
·albinoblacksheep.com·
The End of the World
Elizabeth Laraki on X: "15 years ago, I helped design Google Maps. I still use it everyday. Last week, the team dramatically changed the map’s visual design. I don’t love it. It feels colder, less accurate and less human. But more importantly, they missed a key opportunity to… https://t.co/HMcpKiOEdr" / X
Elizabeth Laraki on X: "15 years ago, I helped design Google Maps. I still use it everyday. Last week, the team dramatically changed the map’s visual design. I don’t love it. It feels colder, less accurate and less human. But more importantly, they missed a key opportunity to… https://t.co/HMcpKiOEdr" / X
15 years ago, I helped design Google Maps.I still use it everyday.Last week, the team dramatically changed the map’s visual design.I don’t love it. It feels colder, less accurate and less human.But more importantly, they missed a key opportunity to… pic.twitter.com/HMcpKiOEdr— Elizabeth Laraki (@elizlaraki) November 22, 2023
·twitter.com·
Elizabeth Laraki on X: "15 years ago, I helped design Google Maps. I still use it everyday. Last week, the team dramatically changed the map’s visual design. I don’t love it. It feels colder, less accurate and less human. But more importantly, they missed a key opportunity to… https://t.co/HMcpKiOEdr" / X
Things you're allowed to do
Things you're allowed to do
A list of things you're allowed to do that you thought you couldn't, or didn't even know you could.
·milan.cvitkovic.net·
Things you're allowed to do
Colin Walker - Nov 19, 2023
Colin Walker - Nov 19, 2023
Writing, blogging, life, tech and mental health with a philosophical/psychological slant
·colinwalker.blog·
Colin Walker - Nov 19, 2023
No feature
No feature
After a year of observation, experimentation, and testing, we may have found a careful response to the challenges we face with AI.
·ia.net·
No feature
What Google Search Isn’t Showing You
What Google Search Isn’t Showing You
The search engine has made up so much of our online experience for so long that it can be hard to imagine something better.
Google Search Is Dying.
·newyorker.com·
What Google Search Isn’t Showing You